சிறு வயதில் இருந்தே நடிகராக வேண்டும் என விரும்புகிறார் கலை. ஸ்டாராக ஆசைப்படும் அவர் பல போராட்டங்களை சந்திக்கிறார்.
ஐந்தாறு கதாபாத்திரங்களை வைத்துக் கொண்டு, காட்டில் ஒரு காட்டு காட்டியிருக்கும் படக்குழுவினரின் புதிய முயற்சிக்காக குடும்பத்தோடு, குழந்தைகளோடு ஒரு முறை தியேட்டரில் படத்தை பார்க்கலாம்.
In terms of tangible plot incident, somewhat tiny happens in Charlotte Wells’ stunning memory piece. A lady in her early 30s contemplates a summer holiday vacation to the Turkish coast together with her father twenty years previously, when she was within the brink of self-discovery and he wasn't fairly hiding a weighty veil of melancholy.
Our younger singer yearns for greatness, but given that the many years move and follow never pretty helps make great, the divide between aspiration and actuality grows impossibly broader. In a year of great soundtracks, Here is the one that soars greatest. (Streaming on
இரவு இல்லாமல் பேய் படம் எடுக்க முடியும் என்பதை நிரூபித்ததற்கே அவர்களுக்கு சல்யூட் அடிக்கலாம். பகலில் பார்வையாளர்களை மிரட்டுவது அவ்வளவு எளிதல்ல.
As Sarah Unger, the co-founder of Cultique, a agency in Los Angeles that advises firms on changing cultural norms, wrote in an amusement field publication on Wednesday, “Hollywood is lacking a huge viewers in simple sight.”
There are a lot of reasons for this, which includes reviewing conventions, which are likely to measure movies by specific, historically prescribed, frequently literary and professional values: Was it a good story, did it say some thing, can it be worthy of leaving your house for, truly worth investing funds on?
Henry Roth is a man afraid of commitment right up until he fulfills The gorgeous Lucy. They hit it off and Henry Assume he's last but not least observed the Woman of his dreams right up until exploring she has quick-term memory decline and forgets him the next day.
A crash landing leaves Kitai Raige and his father Cypher stranded on Earth, a millennium immediately after functions forced humanity's escape. With Cypher wounded, Kitai have to embark on a perilous journey to signal for aid.
‘মহারাজা’র জয়জয়কার, থ্রিলারে মোড়া পিতৃত্বের আখ্যানে অনবদ্য বিজয়-অনুরাগ
will ensnare those that take pleasure in its tongue-in-cheek style though the rest is going to be desperate to wriggle out from it.
பேச்சியாக வரும் பாட்டி, நமக்கு நன்கு அறிமுகமானவர். இவர் பேயா என்று யோசிப்பதற்குள், படுபயங்கர பெர்ஃபாமன்ஸ் செய்து மிரட்டிவிடுகிறார்.
They are good collectively, partly because the screenplay by Jeffrey Value, Peter S. Seaman and Daniel Pyne would not give them sappy issues to convey; they keep fair discussions from which, inevitably, romance blossoms.
A essential realization for me when observing Joachim Trier’s gorgeously melancholy account with the chaotic mess we make of our lives as we fumble our approach to self-knowledge was how rarely we have a passionate comedy-drama during which the abrasive edges aren’t sanded off the protagonist. Performed with the luminous Renate Reinsve which has a flinty exterior and a churning internal restlessness, Julie is unapologetic in her issues as she pings among two men, Anders Danielsen Lie’s effective older underground comic guide artist and Herbert Nordrum’s contentedly underachieving barista.